Spacey fun at the symphony last night, with Legeti’s Atmosphères and Strauss’s Also Sprach Zarathustra, both used in 2001: A Space Odyssey, and Holst’s Planets.

Atmospheres was subtle, relaxing, and almost entirely without melody – a piece for meditating to, if stark and slightly scary. I really needed that, as Thursday was just one of those days – at one point, I’d even been the target of a precision bombing run by a passing bird. Two things about this piece. Firstly, most recordings don’t do it justice, because it’s all about orchestral color, and that often just doesn’t come through. Secondly, it’s very quiet in places, which offers a great opportunity to really appreciate the inability of some people to simply sit still and be silent.

The opening of “Also Sprach ..”, unsurprisingly, did its best to shake my innards to jelly with awesome – the sheer weight of the music is that much more spectacular when you’re up close with full orchestra and pipe organ. Like most, I wasn’t too familiar with the rest of the piece, but I’m now inspired to fix that.

Sadly, no Blue Danube.

The Planets, being one of my favorite pieces, were up for more criticism than the rest. They played it alongside a sequence of photos and reconstructions from various space probes, many of which were awesome. Unfortunately, while most of the performance was serviceable, there were a number of missed notes in the lead brass portions in several movements. I also think the conductor stuck too rigidly to the meter in places, and as a result, certain sections came off a little mechanical and slightly too fast. That said, my reference performance was conducted by Karajan, and he’s famous for interpreting the meter and tone of a piece in his own way.


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