Prosthetic Athletics

By | August 21, 2012

I’m more than a little impressed by the audacity of Philippe Croizon. Despite having had his arms and legs amputated, he’s successfully swum the English Channel, the Straits of Gibraltar, a chunk of the Red Sea, and is now swimming Bering Strait. To do this, he swims freestyle, with flipper-like leg prosthetics attached to the… Read More »

Markets inside the organization

By | August 12, 2012

There’s a double standard in the rhetoric around markets that’s always intrigued me: Free markets are the best way to organize society Central planning and command leadership is the best way to organize large organizations such as corporations and government The first claim is regularly heard in political discourse, while the second is rarely made… Read More »

Critique – Mass Effect

By | July 26, 2012

The other night, after 5 years of putting it off, I finally completed Mass Effect. I see now why it’s so well-regarded. Briefly, here’s what I think was awesome: Elegant and succinct core plot. Mass Effect’s core plot was actually rather short; about 8 hours of play by my count. This kept it sharp and elegant.… Read More »

Space Orchestra

By | July 13, 2012

Spacey fun at the symphony last night, with Legeti’s Atmosphères and Strauss’s Also Sprach Zarathustra, both used in 2001: A Space Odyssey, and Holst’s Planets. Atmospheres was subtle, relaxing, and almost entirely without melody – a piece for meditating to, if stark and slightly scary. I really needed that, as Thursday was just one of… Read More »

CHI 2012 – HCI for Peace workshop

By | May 6, 2012

I spent Saturday at the HCI for Peace workshop representing the Voices from the Rwandan Tribunal project. It was fairly informal, with only 10 participants, which made it easy for everyone to participate in the discussion. Several participants presented projects they’ve worked on, including: Lahiru Jayatilaka, a Sri Lankan PhD student from Stanford, who presented… Read More »

On Patronage as a Funding Model for Creative Works

By | February 22, 2012

I’m feeling pretty jazzed at the moment about patronage as a funding model for creative endeavours. It’s a pretty simple idea: instead of today’s dominant practice, where creative works are funded and owned by someone expecting to make money back from advertising or sales through a limited distribution channel, under patronage, creators fund their work… Read More »